SINGLE REVIEW: Weekly Round-Up 30/09/24 - 06/10/24
Eric Lavién - The Rise
Eric Lavién presents a polished soundscape in 'The Rise', featuring melodic, soulful vocals that draw you in. The track blends dynamic rock with soaring metal tendencies and accessible pop sensibilities, creating a grand and captivating atmosphere. Powerful riffs drive the energy, while the hypnotic arrangement keeps the listener engaged. The commanding guitar solo erupts, adding a stadium-ready quality to the mix. 'The Rise' showcases familiar elements in a well-executed package.
Mike Freund - I Came for You
Mike Freund brings his gritty, blues-infused rock to the forefront with 'I Came for You'. The track pulses with an intimate rhythm, building on layers of raw emotion and sincerity. Its focus on desire and connection feels both heartfelt and genuine, anchored by strong vocal delivery. The chorus lands with a simple but effective refrain, sticking with you long after the song ends. Blending rock and blues effortlessly, Freund crafts a song that feels like a natural extension of his well-established sound.
The Henry Kimber Band - Don't You Forget My Name
'Don't You Forget My Name' is a fun, energetic tune that captures attention with its jazzy guitars and vibrant energy. This single from The Henry Kimber Band's forthcoming debut album features a great 70s disco beat, inviting powerhouse vocals, and a danceable rhythm. The blend of blues and soul is complemented by experimental guitar elements, culminating in an electrifying solo that enhances the song's freeing dynamic sound. It’s a catchy, engaging track that showcases the band's vintage flair.
Zoo Sioux - Bam Bam
Zoo Sioux brings a unique sound with 'Bam Bam', showcasing a gritty, fuzzy, and distorted essence. The track features syncopated stoner and desert rock elements, offering sludgy grooves and an atmospheric sound infused with blues and psychedelia. Echoing an avant-garde Captain Beefheart vibe with a distinctly British twist, it’s an erratic and artistic piece that may not appeal to everyone but stands as a stellar example of the dirty sludge inherent in stoner rock.
Baisemain - Mise en Abyme
Baisemain's 'Mise en Abyme' delves into themes of self-consciousness and external judgement, capturing the feeling of being constantly observed. The song kicks off with a powerful drum fill that sets an intense tone. This is followed by a catchy, distorted guitar riff and a groovy chorus, with aggressive guitar work that amplifies the raw energy, making for a compelling and immersive listen.
S.J. Armstrong - Over Here Over There
The title track from S.J. Armstrong's newly released third album showcases his artistry as he writes, plays, and engineers every element himself. 'Over Here Over There' presents a hazy, dreamy sound with semi-ethereal vocals, robust instrumentation, and thumping drums. The track reflects synth-pop tendencies reminiscent of the Pet Shop Boys, blending 80s new wave influences with an artistic flair.
Esther Kiely - Creed
Esther Kiely’s 'Creed' marks the start of her musical journey, blending her Franco-Irish heritage with emotive storytelling. The song reflects on the bittersweet nature of a fading friendship, capturing the universal truth of growing apart. Recorded in the French countryside, 'Creed' showcases her authentic sound and lyricism, inviting listeners to engage with personal narratives set to folk-inspired melodies.
