SINGLE REVIEW: Weekly Round-Up 29/04/24 - 05/05/24

Robert Paul Band - She’s Long Gone

'She's Long Gone' is a high-octane rock 'n' roll number infused with an infectious groove and good time vibes, perfectly encapsulating the essence of classic, catchy music. The vocals are delightful, carrying a retro, nostalgic charm that urges listeners to get up and dance. This track masterfully blends the rolling feel of country with rock, adding a southern twist that makes it uniquely captivating. The toe-tapping goodness is heightened by a cute banjo flex, a fun addition that complements the dynamic of jubilant riffs, killer guitar solos, and bright, impulsive drums, creating an irresistibly vibrant soundscape.

Bill Callaway - You Know Better

'You Know Better,' crafted by the one-man show that is singer/songwriter Bill Callaway, envelops listeners in a fuzzy, reverby sound that distinctly represents his artistic identity. The vocals, while not perfect, are unique and possess a certain charm and flair, showcasing Callaway's individual approach to music. The guitars sweep through the track, creating a dreamy ambiance, complemented by dynamic guitar solos that highlight Bill’s musical prowess. Although 'You Know Better' may veer off-key at times and sometimes feels as though it lacks direction, it represents a commendable effort from a young musician whose talent holds potential to grow with further time, practice, and nurturing.

Nick Kizirnis - Through the Motions

'Through the Motions' shines with the vibrant essence of jangle pop, infused with a nostalgic 90s vibe. The song is underpinned by chiming guitars and a shimmering melody, perfectly capturing the retro yet contemporary feel. The vocals are not just elaborate and articulate; they add a layer of artistic depth that feels both vintage and modern. This grand and anthemic indie rock track deftly blends infectious chords with a sophisticated vocal delivery, making it a standout piece that bridges decades.

The D.O.O.D. - The Pentacostal

‘The Pentacostal' unleashes a sonic maelstrom with screaming guitars that bellow through the mix as the drums thrash, escalating the ferocity of each shred. Fire-driven vocals add a dramatic, powerful layer, amplifying the track's dark, heavy essence. The song intersperses churning progressive interludes, showcasing its technical complexity and fast pace, which maintains a relentless, adrenaline-pumping energy. With grand, symphonic elements, the music achieves a high-octane, enthralling atmosphere, making it a gruelling yet captivating listen. This combination of thunderous rhythms and intricate musicality solidifies 'The Pentacostal' as a standout track.

Talkradio - Down

'Down' captivates with its seamless blend of laid-back verses and melodic richness, evoking the essence of Crowded House through both its vocal style and guitar work. The track shifts dramatically into high gear with a powerful riff, paving the way for an anthemic, infectious chorus that transforms it into a full-scale power rock anthem. The vocals are not only familiar but also perfectly pitched, contributing to the song's compelling dynamic of calmness and explosive energy. This makes 'Down' an engaging and memorable listen.

Rock the Apocalypse - Rock the Apocalypse

'Rock the Apocalypse' charges forward with a high octane sound, brimming with swagger. Its anthemic quality pulses through each verse and chorus, driven by a raw, unpolished energy that captures the essence of a great DIY ethos. The blend of fuzzy, angular guitars with jangly chords creates a sonic texture that is both vibrant and assertive. This track isn’t merely audible; it demands attention with its bold and energetic delivery.

These Five Years - Anything At All

‘Anything At All’ strikes with a melodic and infectious charm that seems to transport listeners straight back to the SoCal early 2000s pop punk scene. The song is drenched in sunshine vibes, making it feel like the quintessential soundtrack to summer. With its killer chords and pulsating drums, it commands attention and keeps the energy high. The emotive vocals are perfectly aligned with the catchy rhythms, ensuring that the song doesn’t just pass by; it sticks. Particularly poignant is the lyric, "I may be lonely but I'm not alone," which resonates deeply, articulating the paradoxical feeling of being more isolated in a crowd than when one is physically alone. Whether you’re longing for a nostalgic trip or a fresh summer anthem, ‘Anything At All’ delivers on every front.

Talley Tunes - Black Label

'Black Label' erupts with a brash, abrasive punk sound that embodies the essence of chaos and DIY ethos. It's frantic and erratic, delivering the raw, unpolished energy that punk celebrates. Each chord and shout is a visceral outburst, perfectly capturing the rebellious spirit and spontaneity of the genre. The rough, garage-band vibe enhances its authentic, unfiltered expression, making 'Black Label' not just a track to listen to but a tumultuous experience to dive into headfirst.

Amy

I'm Amy a Norfolk girl, currently residing at the seaside.

Age: eternally 21 (I’m really Peter Pan!).

By day I'm a Leaks, Condensation, Damp and Mould Resident Liaison Officer and by night I'm CRB's admin bitch, reviewer extraordinaire, point and hope for the best photographer, paperclip monitor and expert at breaking anything technical then expecting Scott to fix it!

I'm into all kinds of music the more obscure the better (my music taste is definitely better than yours 🤪😜) with my fave band being The Wonder Years.

I'm an Ipswich Town fan and have an unhealthy obsession with hedgehogs!

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La alt-punks Death Lens relesse new album “Cold World” out now via Epitaph