Locate S,1 announces new album, Wicked Jaw, out 28th July on Captured Tracks + shares "You Were Right About One Thing" lead single

Locate S, 1

Announces new album, Wicked Jaw
Out 28th July 2023 on Captured Tracks

Shares video for lead single
You Were Right About One Thing” - watch here

Locate S,1 (aka Christina Schneider) announces the forthcoming full-length Wicked Jaw, due for release July 28, 2023 on Captured Tracks. From teddy grahams to pussy hats, California forest fires to cash cabs, the stuff of American nostalgia and horror adorns a personal reckoning on Christina Schneider’s triumphant third album as Locate S,1.

With the announcement comes the lead single, the deceptively breezy power-poppy album opener “You Were Right About One Thing” accompanied by a playful video directed by Tristan Scott-Behrends that takes cues from the noir of the album’s namesake, filtered through day-glo camp sensibilities à la John Waters and Pedro Almodóvar.


Locate S, 1 - "You Were Right About One Thing"
https://www.youtube.com/watch?v=046AMUTAucw

Listen on streaming services: https://locates1.ffm.to/onething.opr
 

Christina Schnieder shares: “The deepest psychic injuries can come from a lover that you trust more than you trust yourself. You give them full access to your soul, and suddenly you can only understand yourself in their terms, in relation to them. This song is about finding your own truth through the untangling of resentment and gratitude.”
 
With regard to the video, she adds: “Tristan and I instantly connected over our love for Pedro Almodovar, John Waters, and film noir. Tristan had the brilliant idea to combine all three influences to create this colorful celebration of camp. I wanted to play both sides of a deadly romance, because this song comes from different parts of myself that feel diametrically opposed. There’s a part that feels unfairly wounded, and a part that feels complicit. When I say ‘you were right about one thing’ - I’m grateful and resentful in equal measure. Sincere but salty. As my own victim and villain, there can be no victory in this war. The only way forward is to integrate.”
 
Director Tristan Scott-Behrends shares: “Gender is a thing I continue to explore in my work. I believe that we all contain the masculine and feminine, there is a power in manifesting it visually. When ignored that duality can create a lot of conflict but embracing it and honoring both sides can be powerful. Christina is such a talented actor and was able to slide into these different characters effortlessly. We wanted to create a world that felt familiar yet unknown. The world often feels so heavy these days that even when confronting themes that can be more serious I think it's ok to be a little playful and silly too.”
 

Album Artwork

Only Christina Schneider could pull off singing a line like “season finale 2020 death machine” as a soothing lullaby, but jarring contrasts echo the tumultuous personal journey woven throughout Wicked Jaw, Schneider’s third album as Locate S,1.
 
“I was in hell … and loving it,” Schneider said of her childhood, describing a murky cocktail of sentimentality and despair. “It’s like when you escape the matrix and then you remember your wonderful time in the matrix.” The Athens, Georgia based songwriter, producer, and virtuosic pop connoisseur authored the album over two years while beginning treatment for childhood sexual abuse by a relative. “I was using these songs as an expression valve for all of these different parts (of myself) that I was trying to integrate,” she explained. The result is a surprisingly tender and often jubilant set of conversations with the ghosts of painful memories, Schneider transforming her metaphysical scars into gleaming armor as she redefines herself on her own terms.
 
Following 2020’s Personalia, an album Schneider created in collaboration with producer and romantic partner Kevin Barnes (Of Montreal) – where reviews often displaced credit for Schneider’s intricate electropop to Barnes  –  Wicked Jaw finds Schneider decidedly and unequivocally at the helm, as the album’s sole producer. It's a stylistic departure from Personalia in many ways, beyond personnel. Spanning decades and genres from doowop to cold wave, disco to soft rock, Wicked Jaw has the vitality of full band tracking at its core. Recorded to a 24 track tape machine during a weeklong session in the summer of 2022, it features deft and magnificently wackadoo performances from players including Ross Brand (guitar, percussion), Jojo Glidewell (piano, synth, percussion), Zack Milster (bass, percussion, pedal steel), and Clayton Rychlik (drums, percussion, sax) among others.
 
Wicked Jaw both is and isn’t a pandemic album. The dystopic terror of COVID-19 is an omnipresent touchpoint in the songs, which Schneider began writing in the summer of 2020, but the virus functions as a gateway for interpersonal analysis and reflection. What does it mean to be an American in the 21st century? What does it mean to be a woman? What does it mean to be a survivor? Schneider digs tunnels into collective memory on songs like “Go Back to Disnee,” a devastating bossa nova track that could soundtrack an episode of White Lotus. “Under the blankets, into the plastic dreams / Into the comfort of parental regimes,” Schneider purrs with a delivery so gentle that you might not detect the venom seeping through. On this tune and others, Schneider’s exceptional songcraft is most evident through her ability to excavate the toxins lingering beneath the surface in a way where they begin to shine and radiate a strange beauty.
 
“Beauty throws darkness and pain into relief so you can see it more clearly,” Schneider said of this songwriting tendency. While her lyrics do a sort of time traveling alchemy on past wounds, the sonic palette of the record is the real time machine. The running joke in the studio was that Wicked Jaw should be called “Radio Free Christina,” since it felt like turning the radio dial from song to song. How else would we get an album that boasts both Dido and Thin Lizzy as musical references? But the breadth of its melodic toolkit is held together by the singularity of Schneider’s compositional voice. Although Wicked Jaw is among her most accessible releases yet, chock full of infectious hooks, these songs still feature what her bandmates call trademark “Christina-isms” – the odd metered phrases and unusual time signatures that keep the listener on their toes and the songs firmly rooted in a space of experimental sophistipop.
 
Lead single “You Were Right About One Thing” is a case in point. Composed with the aim of harkening classic Christine McVie hits, the easiness of this song for the listener belies an innovative underlying architecture, where complex rhythms and wild chordal leaps are somehow smooth as silk. Meanwhile, Schneider applies the same tender veneer to the song’s challenging lyrical content. “Wrote all my worst fears down when i conjured you,” she sings to a past lover who treated her badly. These memories aren’t recounted with resentment or anger, but with compassion for the ways that intergenerational trauma bears out on relationships, shaping the patterns we struggle not to repeat. “In the end, it's like, ‘can I really hate you for hurting me when I chose you to hurt me?” Schneider said, explaining that the song came from a place of “trying to reconcile forgiveness for yourself and for the other person, so you can both grow.”
 
Wicked Jaw offers a similar therapeutic release upon repeat listens as it did for Schneider when she wrote it. It’s a portrait of commanding and loving resilience in the face of victimization and apocalyptic doom. The potency of these songs resides not in their grasping toward the heavens, seeking escape or transcendence, but rather from digging in the dirt, sitting with it, and really seeing the worms and rot and entropy in vivid technicolor. “This is about me, but I hope other people relate to it,” Scheider said. “I have all these emotional problems that make me react like a fucking monster, but that is also forged by my experience and there’s something there that I can be proud of, that’s part of my survival. I can’t just cut the head off – I have to integrate it into myself.”
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Album Preorder:
https://locates1.ffm.to/wickedjaw.opr


Tracklisting:

1. You Were Right About One Thing
 2. Go Back to Disnee
 3. Pieta
 4. Heart Attack
 5. The Hard Way
 6. Danielle
 7. Have You Got It Yet?
 8. Blue Meaniez
 9. Daffodil
10. Wicked Jaw



CONNECT WITH LOCATE S,1:
Website | Facebook | Instagram | Twitter

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